West Burton A power station

I really like your work but this one isn't working for me. Nicely exposed (as usual) but I start scolling the image to either cut off the sky or cut off the foreground. If I look at the whole image it feels like too much of both with a small central band of interest.

Probably just me...
 
It’s probably sensible to regard this as a catalogue of opportunities for future trips. It seems perfectly well exposed, developed and printed.
But there is quite a lot of foreground…
 
I really like your work but this one isn't working for me. Nicely exposed (as usual) but I start scolling the image to either cut off the sky or cut off the foreground. If I look at the whole image it feels like too much of both with a small central band of interest.

Probably just me...
It’s probably sensible to regard this as a catalogue of opportunities for future trips. It seems perfectly well exposed, developed and printed.
But there is quite a lot of foreground…
Sorry for the very late reply!

I agree about the foreground. It was my intent to get closer but the field was extremely muddy unfortunately, so I decided to keep my distance. :)
 
Personally I think the image is too dark and contrasty, Go look at John Davies work.

A photographer friend was the senior coal and ash engineer for a group of power stations, including this one. He spent a fortune on a Linhof Technicardan, barely using it. He then went 100% digital first with a Casio, then spending £2,000 on the first 1 Mb camera, the short lived Polaroid PDC-2000, images were 800x600px. He argued after that that I was a Luddite for still using film.

Ian

 
Personally I think the image is too dark and contrasty, Go look at John Davies work.

A photographer friend was the senior coal and ash engineer for a group of power stations, including this one. He spent a fortune on a Linhof Technicardan, barely using it. He then went 100% digital first with a Casio, then spending £2,000 on the first 1 Mb camera, the short lived Polaroid PDC-2000, images were 800x600px. He argued after that that I was a Luddite for still using film.

Ian


Thanks Ian.

The contrast is down to my editing - I tend to favour a more contrasty look in B&W images. I don't think that the photograph above is excessively dark and contrasty though, even in comparison with John Davie's pictures.

I can understand why your friend might have favoured digital over large format film. It's a LOT less work. :D

But then, sometimes the pleasure is in the effort, and in the subsequent result.
 
Apologies. I didn't realise that was switched on. I'm not actively seeking critiques, but don't mind considering them where offered. :)


Well in THAT case ... :p

It's hard to tell if the image is "too dark and contrasty". On my calibrated monitor, there is shadow detail everywhere except the central large structure shadow. I took the image into GIMP and played with it and didn't find a contrast/brightness that felt better. But the thing is, "too much" is a matter of taste. Some people like lower contrast. I find that flat and mostly uninteresting unless I'm doing something really atmospheric like a shot in the fog. So your own aesthetic matters most here. To my eye, at least, the one thing I would suggest is to bring up the highlights along the boundary line between the foreground and the base of the structures. That would provide some visual separation the eye might be drawn to.

Others have commented on the foreground. Here again, it's a matter of taste. If you composed up to provide more sky and less foreground, you get a better balance in the image, I think, but it's likely also kind of standard and boring (IMHO). A possible rethinking of this might be to work for this composition, but with the camera at ground level (tilting to hold everything in focus). that large foreground would then become a visual element drawing your eye into the subject. Again, there is no one way to do this and much depends on your own sense of composition. (The camera on the ground thing would also be interesting if shot closer to the main structures.)

How many photographers does it take to change a lightbulb?

25. One to do all the work, one to say you did a terrible job, and 23 to explain how they could have done it better ...
 
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Well in THAT case ... :p

It's hard to tell if the image is "too dark and contrasty". On my calibrated monitor, there is shadow detail everywhere except the central large structure shadow. I took the image into GIMP and played with it and didn't find a contrast/brightness that felt better. But the thing is, "too much" is a matter of taste. Some people like lower contrast. I find that flat and mostly uninteresting unless I'm doing something really atmospheric like a shot in the fog. So your own aesthetic matters most here. To my eye, at least, the one thing I would suggest is to bring up the highlights along the boundary line between the foreground and the base of the structures. That would provide some visual separation the eye might be drawn to.

Others have commented on the foreground. Here again, it's a matter of taste. If you composed up to provide more sky and less foreground, you get a better balance in the image, I think, but it's likely also kind of standard and boring (IMHO). A possible rethinking of this might be to work for this composition, but with the camera at ground level (tilting to hold everything in focus). that large foreground would then become a visual element drawing your eye into the subject. Again, there is no one way to do this and much depends on your own sense of composition. (The camera on the ground thing would also be interesting if shot closer to the main structures.)

How many photographers does it take to change a lightbulb?

25. One to do all the work, one to say you did a terrible job, and 23 to explain how they could have done it better ...

Thanks for the comments, all very useful. And, again, apologies for such a delay in responding.

I took the photo from this location on a small wooden bridge crossing a drainage dyke. There's a footpath through the field on the other side (according to Ordnance Survey, at least), but there had been heavy rain in recent days and the field was very wet (wetter than it appears in my picture). My original plan had been to follow the footpath for a closer vantage point, but it wasn't to be and I made do with the solid floor of the footbridge with the camera looking over the gate. :)
 
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