Misty Woodland for your perusal.

Quite lovely all. The last one, particularly, resonates with me.
 
Thanks. That’s my second favourite, I really liked the Pug faced tree, made me laugh as soon as I saw it.
 
Excellent Terry, great control of tonality, and example others should appreciate. Shooting on these conditions is something many won't even try.

Ian
 
Thanks Ian. I was very worried about the two shot on Foma 100 as I was using my Fujinon 250mm at f45 (quite close) and the exposure times were high, seven odd minutes. In fact a lady and her young daughter asked me if they could continue on the path behind the tree while the exposure was in progress - I told her not to worry as there was no chance of it showing. Glad it worked out!
 
Some years ago I was helping a Wolverhampton BA student with LF, the University had the kit but no-one to show them how to use it. Every one including Foma themselves claim the reciprocity failure is severe, I did my own practical tests and found it was nothing like as bad as the datasheets.

However, there are some caveats. First I shoot Fomapan 100 & 200 at half box speed with reduced development, and like in you images they are daylight.

It's now often forgotten that Films have a Daylight and Tungsten speed, the Tungsten speed has been dropped for most film as Tungsten studio lighting is long gone. An exception is Ortho Plus.

So if shooting household tungsten lighting or warm LEDs we still need to add this as an exposure factor.

Ian
 
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